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Marc Michael Epstein (born 15 October 1964) is a professor of religion at Vassar College.〔Vassar College Catalogue. ().〕 ==Career== Marc is a scholar of religion, focusing on Jewish and Christian religious culture in the Middle Ages. The objects of his study are monuments of visual and material culture. He has written on various topics regarding Jewish visual and material culture, and many of his publications concern Medieval manuscript illumination. His most recent book, ''The Medieval Haggadah: Art, Narrative and Religious Imagination'' (2011), was named one of the “Best Books of the Year” by the London Times Literary Supplement.〔Josipovici, Gabriel. "Books of the Year." TLS, 2 December 2011.〕 Epstein received his B.A. from Oberlin College and earned the M.A., M.Phil., and PhD degrees in Religious Studies at Yale University. He completed much of his graduate research at the Hebrew University of Jerusalem.〔() "Curriculum Vitae 2012" Retrieved October 2013〕 Epstein was Director of the Hebrew Books and Manuscripts division of Sotheby's Judaica Department throughout the 1980s, and continued to work as a consultant of rare Hebrew Books and Manuscripts. He continues to be a consultant and curator to a number of museums, auction houses, libraries, and private collections, notably including the Herbert and Eileen Bernhard Museum at Temple Emanu-El, the Goldsmith Family Museum and the Jewish Museum London.〔 Epstein views medieval Jewish and Christian visual culture as mutually interdependent. He notes that there was a curiosity regarding Christian visual culture on the part of Jews both in Iberia and Franco-Germany, resulting in equal measures of reactive avoidance and fascinated emulation of that culture. His first book conceptualized Jewish iconography as almost inevitably polemicizing against Christian images, expressing "messages of protest and dreams of subversion,"〔Epstein, Marc Michael. ''Dreams of Subversion in Medieval Jewish Art and Literature.'' University Park: Penn State University Press, 1997, ''passim.''〕 —a "love story in aggressive garb."〔Epstein, Marc Michael. ''The Medieval Haggadah: Art, Narrative and Religious Imagination.'' London and New York: Yale University Press, 268.〕 He has subsequently moderated his position to acknowledge that neither Jews nor Christians owned medieval visual culture, positing a much more "open" Middle Ages, with a stream of essentially common culture drawn upon by both Jews and Christians in "a sort of parallel fishing expedition."〔 He continues to observe that concertedly Christian motifs were occasionally—even often—adapted by Jews with didactic or polemic intent (the Flight into Egypt is a particularly obvious example〔Epstein, Marc Michael. "Another Flight into Egypt: The Crosscultural Dialectic of Messianism and Iconographic Appropriation in Medieval Jewish Culture” in ''Imaging the Self, Imaging the Other: Representations of Jews in Medieval Illuminated Manuscripts.'' ed. Eva Frojmovic. E.J. Brill, 2002, 33–52.〕). But he has come to recognize that this is not always, or even usually, the case. His works testifies that if one has to posit a viable tradition of Jewish iconography, one needs to stand up for the independence or interdependence of that tradition, rather than revert to a codependent model. Epstein currently serves as the Corcoran Visiting Chair of Jewish-Christian Relations at Boston College.〔(Boston College Center for Christian-Jewish Learning )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Marc Michael Epstein」の詳細全文を読む スポンサード リンク
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